top of page

Concept, choreography, performance

Daniela Komędera-Miśkiewicz, Dominika Wiak, Dominik Więcek, Monika Witkowska

Dramatical support

Konrad Kurowski

Lighting director

Krystian Koźbiał


Przemek Degórski

Costumes using designs by

Krystian Szymczak, Edvard Kuzmich, Roman Marchewka


Gdańsk Dance Festival / ŻAK Club, Lublin Dance Theater


03/09/2020 / 12th Gdańsk Dance Festival

The performance is created as part of the "Spaces of Art" program financed by the Ministry of Culture and National Heritage, carried out by the Institute of Music and Dance and the Zbigniew Raszewski Theater Institute. The operator of the project in Lublin is the Cultural Center in Lublin.


I almost got the flowers and I almost knew what the champagne tasted like.

I am the first to be off the podium. I have overtaken all those behind me.

I almost have a reason to be proud.

I got lost in the same place again.

The ovation was almost standing.

The show is visually sophisticated. The stylish black of the costumes - the color of success and mystery - emphasizes the expressiveness of the dancing bodies, and the light not only brings out the depth of the images, but also becomes the subject itself. It has the power to cover, highlight, and ignore. It is an object of desire, a reason for fight - it starts the race to gain attention and be successful. Everything is characterized by a delicate humorous, which makes the performance, despite the difficult topic, not overwhelming; lightness and seriousness are properly balanced.

Hanna Raszewska - Kursa

The performance is a witty, self-mocking parade of losers, not devoid of a bitter aftertaste. It touches on the subject of the opposition success-failure, or rather the delicate issue of being “right behind”. Right behind the winner, right behind the podium, just below the line. This annoying situation of being in a narrow group of nominees, but finally forced to give up on taste, and finally forgotten, because who remembers about the II vice miss or those who reached the finish line as fourth?

Natalia Szafrankiewicz |

A sense of humor, originality of movement, excellent harmony and throwing the viewer off the beaten paths of associations - these are the advantages of the "Sticky Fingers Club", in which smooth transitions from group scenes to solo performances allowed to highlight the strengths of each dancer. They started with a joke - and ended likewise. They constantly  surprised. They alternately entertained the viewers and demanded their concentration.

Anna Umięcka /


03.09.2020—> Gdański Festiwal Tańca PREMIERA

04.09.2020—> Gdański Festiwal Tańca 

12.11.2020 —> XXIV Międzynarodowe Spotkania Teatrów Tańca w Lublinie

10.08.2021 —> Krakowskie Centrum Choreograficzne (Nowohuckie Centrum Kultury ) 
29 .08.2021 —> Teatr Ziemi Rybnickiej 
04.09.2021 —> Teatr Kana w Szczecinie / Festiwal OFF Kontrapunkt 2021 KONTRAPUNKT - Przegląd Teatrów Małych Form
05.09.2021 —> Obornicki Ośrodek Kultury 
28.10.2021 —> Wrocław / Studio Na Grobli, Instytut Grotowskiego 
30.10.2021 —> Nowosolski Dom Kultury 

05.11.2021 —> Tetar KTO w Krakowie
21.11.2021 —> Teatr im. Jana Kochanowskiego w Opolu 

07.10.2022 —>Teatr im. Heleny Modrzejewskiej w Legnicy

04.11.2022 —> Bielski Dom Kultury w Bielsku Podlaskim

05.11.2022 —> Teatr KTO w Krakowie

13.11.2022 —> Tetar Maska w Rzeszowie

19.10.2023 —> DramaQueer Festival, Bratysława, Słowacja

09.11.2023 —> Katowice Akademia Muzyczna

26.11.2023 —> Komuna Warszawa

05.12.2023 —> Teatr KTO w Krakowie

bottom of page