Concept, choreography, performance
Daniela Komędera-Miśkiewicz, Dominika Wiak, Dominik Więcek, Monika Witkowska
Dramatical support
Konrad Kurowski
Lighting director
Krystian Koźbiał
Music
Przemek Degórski
Costumes using designs by
Krystian Szymczak, Edvard Kuzmich, Roman Marchewka
Producers
Gdańsk Dance Festival / ŻAK Club, Lublin Dance Theater
Premiere
03/09/2020 / 12th Gdańsk Dance Festival
The performance is created as part of the "Spaces of Art" program financed by the Ministry of Culture and National Heritage, carried out by the Institute of Music and Dance and the Zbigniew Raszewski Theater Institute. The operator of the project in Lublin is the Cultural Center in Lublin.
STICKY FINGERS CLUB
I almost got the flowers and I almost knew what the champagne tasted like.
I am the first to be off the podium. I have overtaken all those behind me.
I almost have a reason to be proud.
I got lost in the same place again.
The ovation was almost standing.
The show is visually sophisticated. The stylish black of the costumes - the color of success and mystery - emphasizes the expressiveness of the dancing bodies, and the light not only brings out the depth of the images, but also becomes the subject itself. It has the power to cover, highlight, and ignore. It is an object of desire, a reason for fight - it starts the race to gain attention and be successful. Everything is characterized by a delicate humorous, which makes the performance, despite the difficult topic, not overwhelming; lightness and seriousness are properly balanced.
Hanna Raszewska - Kursa
The performance is a witty, self-mocking parade of losers, not devoid of a bitter aftertaste. It touches on the subject of the opposition success-failure, or rather the delicate issue of being “right behind”. Right behind the winner, right behind the podium, just below the line. This annoying situation of being in a narrow group of nominees, but finally forced to give up on taste, and finally forgotten, because who remembers about the II vice miss or those who reached the finish line as fourth?
Natalia Szafrankiewicz | dancePOLSKA.pl
A sense of humor, originality of movement, excellent harmony and throwing the viewer off the beaten paths of associations - these are the advantages of the "Sticky Fingers Club", in which smooth transitions from group scenes to solo performances allowed to highlight the strengths of each dancer. They started with a joke - and ended likewise. They constantly surprised. They alternately entertained the viewers and demanded their concentration.
Anna Umięcka / www.gdansk.pl
Performances:
03.09.2020—> Gdański Festiwal Tańca PREMIERA
04.09.2020—> Gdański Festiwal Tańca
12.11.2020 —> XXIV Międzynarodowe Spotkania Teatrów Tańca w Lublinie
10.08.2021 —> Krakowskie Centrum Choreograficzne (Nowohuckie Centrum Kultury )
29 .08.2021 —> Teatr Ziemi Rybnickiej
04.09.2021 —> Teatr Kana w Szczecinie / Festiwal OFF Kontrapunkt 2021 KONTRAPUNKT - Przegląd Teatrów Małych Form
05.09.2021 —> Obornicki Ośrodek Kultury
28.10.2021 —> Wrocław / Studio Na Grobli, Instytut Grotowskiego
30.10.2021 —> Nowosolski Dom Kultury
05.11.2021 —> Tetar KTO w Krakowie
21.11.2021 —> Teatr im. Jana Kochanowskiego w Opolu
07.10.2022 —>Teatr im. Heleny Modrzejewskiej w Legnicy
04.11.2022 —> Bielski Dom Kultury w Bielsku Podlaskim
05.11.2022 —> Teatr KTO w Krakowie
13.11.2022 —> Tetar Maska w Rzeszowie
19.10.2023 —> DramaQueer Festival, Bratysława, Słowacja
09.11.2023 —> Katowice Akademia Muzyczna
26.11.2023 —> Komuna Warszawa
05.12.2023 —> Teatr KTO w Krakowie